Laura R. Bernstein and ISSRE

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	<title>Laura R. Bernstein and ISSRE</title>
	<link>https://rarabernstein.com</link>
	<description>Laura R. Bernstein and ISSRE</description>
	<pubDate>Wed, 26 Aug 2020 12:42:24 +0000</pubDate>
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		<title>ISSRE Home</title>
				
		<link>https://rarabernstein.com/ISSRE-Home</link>

		<pubDate>Wed, 26 Aug 2020 12:42:24 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

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		<title>ISSRE Background</title>
				
		<link>https://rarabernstein.com/ISSRE-Background</link>

		<pubDate>Thu, 02 Jan 2020 19:21:57 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

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		<description>
	The Institute for Super Species Research and Experimentation (ISSRE)&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

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Background
While some of our resident scholars would place the initiation of this organization and its subjects as early as 200 A.D., ISSRE was in fact founded in 2015 by a group of concerned pseudo-scientists and their increasingly self-aware subjects who were all committed to the study and development of the super-species. At ISSRE, we have multiple branches of research, with an inter-species staff, dedicated to the preservation and survival of both super-species and the humans and humanoids who love them.&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/31e3fd3e6257cc25f9d85244a37f2b1a7bc43b5e508696bb8e7a19678ec09e19/BucketSciapodecollage.jpg" data-mid="60068517" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/31e3fd3e6257cc25f9d85244a37f2b1a7bc43b5e508696bb8e7a19678ec09e19/BucketSciapodecollage.jpg" /&#62;


TIMELINE
2015 (Thanksgiving) Rumors reported first sightings of creature-like species in the rocky, damp fields of Connecticut&#38;nbsp;
Super-species II Excerpt from LRB on Vimeo.
2016
 (June) The foot of the Sciapode, a canopy of flesh, was spotted arching above the tall spring grasses of woody Westchester, New York


 (July–August) Confirmed Sightings 
Captured on film at Lighthouse Works Residency
Super-species Intro from LRB on Vimeo.
(September) Once notified, ISSRE gathers to commence research and establish desired outcomes for experimentation procedures 


2017
2016–2017 (November- March) ISSRE scientist teams respond to sighting alerts, and begin to capture the creatures and observe them 

 (April 8th) Training Day. ISSRE team and creatures commence cross training and open the training camp 
(June) First Public Exposition. Pannotti, Bird + AM = seabird and SN, at Geary Contemporary Gallery, “Material Mythos” 

Panotti, Forest from LRB on Vimeo.
Prehistoric Bird and AM = SeaBird from LRB on Vimeo.
Super-Numerary Nipples (SN) from LRB on Vimeo.
(June) The Bronx Museum of the Arts displays reproduction of a molted shell Sciapode based on remains discovered within the grottos of Pompeii preserved from the eruption of Mount Vesuvius 79AD
Part of: Bronx Calling: The Fourth AIM Biennial,&#38;nbsp; curated by Christine Licata, Aylet Ojeda Jequin, and Heather Reyes, Bronx Museum of Art, Bronx, NY 


2017(September) Demonstrations. ISSRE presents its findings from training camp and early super-species experiments from the laboratory in Chicago 


(SH) Hoop Jump I, 3:20 HD video (color, sound) from LRB on Vimeo.
 Word to the Wise, ACRE projects Space, curated by Ann Meisinger, Chicago, IL 

(October) Education ISSRE Scientist, L*R*B delivers public presentation and lectures undergraduate design students on the research and findings of ISSRE in hopes of recruitment 

(October-November) Panotti exposed. Video documentation and early experiments presented at Anytime Dept. Cincinnati, OH
(October---March) Panotti, Sciapode, and GM Invertus remains, found at Vesuvius, go on display in Brooklyn NY. Snow insinuates itself upon the creature remains, reminding us of the layers of ash that congealed, preserving human casts of ancient Roman bodies.&#38;nbsp; 2017&#38;nbsp; Past Myth, Future Form, ART LOT, outdoor sculpture show with Anna Tsouhlarakis.

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Curated by Aimee Burg and Natalia Zubko, Brooklyn, NY 

(December) ZAZ10TS, New York, NY. &#38;nbsp;An international consortium of artists has taken over a new billboard at the corner of 41st St and Broadway. The first in a series of initiatives by producer Tzili Charney, “24:7” is a round-the-clock video art performance testing the power of the medium to meaningfully engage the public. ISSRE displays its Bestiary to thousands&#38;nbsp;&#38;nbsp;
24_7 Laura Bernstein -A Bestiary- Video  (web) from LRB on Vimeo.
2018&#38;nbsp;(April) Becoming Beast exposition of new generation of ⅓ inch scale creatures bred and born at ISSRE training camp and laboratory : Nurtureart solo show: Becoming Beast, April 13th, 2018 Becoming Beast, NurtureArt, Brooklyn, NY, April 13th--May 6th

Becoming Beast (excerpt) from LRB on Vimeo.
(May-June) Bestial Field Recordings: 2015-2018, is on display at Lighthouse Works Residency. Fishers Island residents are exposed to diverse ranges of species with adaptive mutations that might otherwise remain invisible had they not been captured on film &#38;nbsp; 

2017-2018 New Super Species developed. Thanks to a studio grant from Sharpe-Walentas, ISSRE and team were able to successfully produce a series of new hybrid creatures, Lamarckism 

BRIC Biennial Volume III: South Brooklyn Edition, The Impossible Possible, curated by Elizabeth Ferrer andJenny Gerow, BRIC House, Brooklyn, NY&#38;nbsp;
2019(March)&#38;nbsp;First Pseudo-scientific Performance and Circus. ISSRE team shares its&#38;nbsp;pioneering work in the world of scientific performance and entertainment at BRIC Biennial and is supported by the Franklin Furnace Fund. BRIC Biennial Volume III: South Brooklyn Edition, The Impossible Possible, curated by Elizabeth Ferrer and Jenny Gerow, BRIC House, Brooklyn, NY 
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		<title>ISSRE Field Recordings</title>
				
		<link>https://rarabernstein.com/ISSRE-Field-Recordings</link>

		<pubDate>Thu, 02 Jan 2020 19:21:58 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

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		<description>ISSRE Field Recordings


	Supernumerary NipplesSN has been documented since Roman times as Artemis of Ephesus and was featured in legends prior to that time. Faithful to no one but self. The evolution of SN is attributed to increased femininity and fertility. Their breasts not onlydistract predators from their uteruses, but also prevent fertilization by trapping unwelcome sperm in their mammary glands.

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	Shakespeare HornySH experiences perpetual itch. &#38;nbsp;To find relief SH thrusts against thick grasses. In Shakespeare’s work, men whose wives were unfaithful grew horns due to sexual frustration. Made a fool from infidelity.


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	Gluteus Maximus Invertus GM invertus, a giant swollen bum with carbuncle, usuallyseen on all fours. GM prefers to live in rocky areas, as a protective measure, so bum might be mistaken for rock. GM’s character most resembles goat, with Bacchus-like behavior. Perpetually dehydrated.


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Arthropod Mare 
Am feeds by filtering particles from the water using its modified scaly leg. AM has no internal organs and at night, it glows with light. Its body is capable of squeezing through the width of its central face hole. AM filters the infected seaweed that lines the seashores and is used as a binding agent in most&#38;nbsp;processed foods.


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	The Sciapode Mono-pod or Umbrella Foot. Their single foot extends from the center of its body acting as a shield protecting it from the sun. It is known that the Sciapode has aweakness for tomatoes. The smell alone can bring it to a state of arousal.


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	Panotti
The enlarged surface area of Panotti's ears helps regulate body temperature.Flapping their ears keeps them cooler for longer, or conversely, in extremely cold weather their ears have the capacity to act as blankets to shield their body against the chills of the night.


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	Mono-Handler
MH is ambidextrous. Its giant hand extends from elbows that are fused and function as one unit. The hand is heavy and takes great discipline to raise. They use their fingers as net. Has charge over GM invertus.

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	Prehistoric Birdhas wings but cannot fly. Stands 10 feet tall.

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Training Day
Training Grounds from LRB on Vimeo.2018, single-channel HD video 14:35 min.

Documentation from Training Day at Floyd Bennett Field. Video incorporates audio recordings of twentieth-century psychologists and behaviorists, including B.F. Skinner, Harry Harlow, sexual educators, and news broadcasters. The video serves as a document introducing another order of animal: genetically modified super-humans performing the role of pseudo-scientist by probing, measuring, and testing “lower” creatures. Their efforts suggest a quest to capture, control, and deploy their biological findings to ensure their own survival, but the creatures also seem to perform tests of their own.

&#60;img width="1613" height="1075" width_o="1613" height_o="1075" data-src="https://freight.cargo.site/t/original/i/98487cb21a68a079a37085c654f35c58fce41b78b45faaaefdc0e65830b84d3a/2horsnthrust72dpi.jpg" data-mid="59019856" border="0"  src="https://freight.cargo.site/w/1000/i/98487cb21a68a079a37085c654f35c58fce41b78b45faaaefdc0e65830b84d3a/2horsnthrust72dpi.jpg" /&#62;
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/07a1df3331e9b84dd957deedd85463cf335bb2a96192a84df2c17f5d03b536c8/2SciapodeFBF.jpg" data-mid="59019857" border="0"  src="https://freight.cargo.site/w/1000/i/07a1df3331e9b84dd957deedd85463cf335bb2a96192a84df2c17f5d03b536c8/2SciapodeFBF.jpg" /&#62;
&#60;img width="1613" height="1075" width_o="1613" height_o="1075" data-src="https://freight.cargo.site/t/original/i/f5dfcc15bc9622586d80a23039b9dd39bed99063d7aa27b5e764af52185fbe4c/Buttcirclehazmat0172dpi.jpg" data-mid="59019858" border="0"  src="https://freight.cargo.site/w/1000/i/f5dfcc15bc9622586d80a23039b9dd39bed99063d7aa27b5e764af52185fbe4c/Buttcirclehazmat0172dpi.jpg" /&#62;
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/c42429467c51cde3cc2b0ea1af3b20ae3769adff8da253b9e172d8b60b9ddf7e/Hazmat.Sciapode.eyeball.jpg" data-mid="59019859" border="0"  src="https://freight.cargo.site/w/1000/i/c42429467c51cde3cc2b0ea1af3b20ae3769adff8da253b9e172d8b60b9ddf7e/Hazmat.Sciapode.eyeball.jpg" /&#62;
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/25947cdaaacb3a0b5894fe3610738e2467f273cebbe507fbb6ef206ee56c12de/Hornhoop02.jpg" data-mid="59019860" border="0"  src="https://freight.cargo.site/w/1000/i/25947cdaaacb3a0b5894fe3610738e2467f273cebbe507fbb6ef206ee56c12de/Hornhoop02.jpg" /&#62;
&#60;img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/05a1bdffe425076c0efce8ee0ea165005520fbf4b8c2c947e1b215793094d43a/Mother1.jpg" data-mid="59019861" border="0"  src="https://freight.cargo.site/w/612/i/05a1bdffe425076c0efce8ee0ea165005520fbf4b8c2c947e1b215793094d43a/Mother1.jpg" /&#62;
&#60;img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/bfba0efcbc830bcc86db1ebbd4a5aeca3c56e5f8773a8fa7f79571e0b17b8bc8/Motherfield.jpg" data-mid="59019862" border="0"  src="https://freight.cargo.site/w/612/i/bfba0efcbc830bcc86db1ebbd4a5aeca3c56e5f8773a8fa7f79571e0b17b8bc8/Motherfield.jpg" /&#62;
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/8ba2c1e6ff8131afc6b2fd183eb73ca3278bc85c37d4fdcda7cf08d7035ed493/SciapodaeRace01.jpg" data-mid="59019863" border="0"  src="https://freight.cargo.site/w/1000/i/8ba2c1e6ff8131afc6b2fd183eb73ca3278bc85c37d4fdcda7cf08d7035ed493/SciapodaeRace01.jpg" /&#62;
&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/bcf435e037a95c9654bb139e18f07049b228e2293ecf990c26255acede03ab8c/PanottiReins-3000dpi.jpg" data-mid="99985086" border="0"  src="https://freight.cargo.site/w/1000/i/bcf435e037a95c9654bb139e18f07049b228e2293ecf990c26255acede03ab8c/PanottiReins-3000dpi.jpg" /&#62;

Tomato
&#60;img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/828384349aa99c2edcfeea7870aec2bea7734384467088ba92643989acdc4b65/Tomatoeglove.jpg" data-mid="58924076" border="0"  src="https://freight.cargo.site/w/612/i/828384349aa99c2edcfeea7870aec2bea7734384467088ba92643989acdc4b65/Tomatoeglove.jpg" /&#62;
&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/13cdb424476aef9103a3d548611a840878f4770ba8847010d87bd47ade2a96ff/tomato.jpg" data-mid="58924077" border="0"  src="https://freight.cargo.site/w/1000/i/13cdb424476aef9103a3d548611a840878f4770ba8847010d87bd47ade2a96ff/tomato.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/af582eb7452b129a2ed4c2012b9356e433f4d8c5e16646a74dfb5bb0b674178e/Laura_Bernstein_BRIC_Baranova-168.jpg" data-mid="58924086" border="0"  src="https://freight.cargo.site/w/1000/i/af582eb7452b129a2ed4c2012b9356e433f4d8c5e16646a74dfb5bb0b674178e/Laura_Bernstein_BRIC_Baranova-168.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/1a1571c043d8edf398ffffaa948a458acfa6d61ddd7cdca26b312d9151c7d411/Laura_Bernstein_BRIC_Baranova-173.jpg" data-mid="58924096" border="0"  src="https://freight.cargo.site/w/1000/i/1a1571c043d8edf398ffffaa948a458acfa6d61ddd7cdca26b312d9151c7d411/Laura_Bernstein_BRIC_Baranova-173.jpg" /&#62;
a shape shifting nightshade fruit consumed as vegetable. The smell alone lures. Though In the Middle Ages, The tomato was thought poisonous because the acidity levels were so high they burned through the pewter plates on which tomatoes were most commonly served.

&#60;img width="7500" height="4991" width_o="7500" height_o="4991" data-src="https://freight.cargo.site/t/original/i/5783884f5279cf5a9dff78b3d3480a015fff854aa8a36254e5b26d720d8b8cd2/Sciapode-volcano.jpg" data-mid="62090302" border="0"  src="https://freight.cargo.site/w/1000/i/5783884f5279cf5a9dff78b3d3480a015fff854aa8a36254e5b26d720d8b8cd2/Sciapode-volcano.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>ISSRE Profiles</title>
				
		<link>https://rarabernstein.com/ISSRE-Profiles</link>

		<pubDate>Thu, 02 Jan 2020 19:21:58 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

		<guid isPermaLink="true">https://rarabernstein.com/ISSRE-Profiles</guid>

		<description>
	

Note from our founder: We are The Institute of Super-Species Research and Experimentation, who we call ISSRE. And for those of you who are not yet familiar with the work of ISSRE, we are a group of specialists who engage with strange and miraculous beasts. We base many of our methods on pre-enlightenment ancient and medieval modes of thought and symbolism because we believe that in looking to the past, we can help create alternatives for the future. We believe that ancient and medieval beasts MAY provide evolutionary paths to help humans adapt, dare I say, thrive, within extreme weather conditions on an earth that may no longer support human physiology. &#38;nbsp;On that note, I'd like to introduce my colleagues and distinguished team members:

Laura Bernstein, Founder

&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/47300a8b27bddd95a4ff0b5a08be7c6f91e3e2ce32b89d111b258b7619ebb863/Laura_Bernstein_BRIC_Baranova-711-Edit.jpg" data-mid="58924689" border="0"  src="https://freight.cargo.site/w/1000/i/47300a8b27bddd95a4ff0b5a08be7c6f91e3e2ce32b89d111b258b7619ebb863/Laura_Bernstein_BRIC_Baranova-711-Edit.jpg" /&#62;


&#38;nbsp;ISSRE Profiles
&#60;img width="720" height="480" width_o="720" height_o="480" data-src="https://freight.cargo.site/t/original/i/e088e737ddc0688660aa0b92b1cedfa9553349465e10ab3f10ff52c1d68e4d21/ISSRE-on-vesuvius-10x6-.jpg" data-mid="59131996" border="0"  src="https://freight.cargo.site/w/720/i/e088e737ddc0688660aa0b92b1cedfa9553349465e10ab3f10ff52c1d68e4d21/ISSRE-on-vesuvius-10x6-.jpg" /&#62;


ISSRE Priming Sequence from LRB on Vimeo.


 Pseudoscientist ER87

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/bd79e0fbfb09d93999ce3270eb44736cf1b88608e2cc104f17857f3e2474a5c0/_A9A2717.jpg" data-mid="57579092" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bd79e0fbfb09d93999ce3270eb44736cf1b88608e2cc104f17857f3e2474a5c0/_A9A2717.jpg" /&#62;ER87 is a Volcanologist and Geophysicist with a certificate in Plinian Evacuation Training and implementation as well as Bosnian 4D Mapping. She leads cognitive awareness courses for understanding the “Critical Zone” : how to prepare, respond and react to changes in the Earth’s atmosphere one breath at a time.

Over 7k followers on LinkdIN.


Pseudoscientist ER87 (excerpt) from LRB on Vimeo.
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c451a9b4a0f7f9ccf83e2171b4e8a0659805395c91da038befdfd1571ff7f0bc/Laura_Bernstein_BRIC_Baranova-680-Edit.jpg" data-mid="57579097" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c451a9b4a0f7f9ccf83e2171b4e8a0659805395c91da038befdfd1571ff7f0bc/Laura_Bernstein_BRIC_Baranova-680-Edit.jpg" /&#62;
P.T. Trainer

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c77be001e6641b7c7ffd3c2309474a7816e3c5e422e10d37f5ece465caa3dc64/Laura_Bernstein_BRIC_Baranova-301.jpg" data-mid="58924709" border="0"  src="https://freight.cargo.site/w/1000/i/c77be001e6641b7c7ffd3c2309474a7816e3c5e422e10d37f5ece465caa3dc64/Laura_Bernstein_BRIC_Baranova-301.jpg" /&#62;
To say that P.T. Trainer is an adventurer would be


an understatement. She has been carried on the tips of Panotti’s flying ears and has racedwith a fleet of Sciapode during a blizzard.

P.T. Trainer is the founder of Motion-Movement Methods for Creature


Companions, working at the intersection of entertainment, spectacle, protection,


detection and behavior modification.


P.T Trainer (excerpt) from LRB on Vimeo.
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3a22c3df6066788d729e8ff0fcf6a90fde4f2ac37340c3a1af00d3ef20d42f53/Laura_Bernstein_BRIC_Baranova-704-Edit.jpg" data-mid="57579294" border="0"  src="https://freight.cargo.site/w/1000/i/3a22c3df6066788d729e8ff0fcf6a90fde4f2ac37340c3a1af00d3ef20d42f53/Laura_Bernstein_BRIC_Baranova-704-Edit.jpg" /&#62;

Pliny

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/85eea7dd3302c6154e54d1ae1d97dcae0ac24b4150a76ecd94416e118756c7cd/Laura_Bernstein_BRIC_Baranova-154.jpg" data-mid="58924496" border="0"  src="https://freight.cargo.site/w/1000/i/85eea7dd3302c6154e54d1ae1d97dcae0ac24b4150a76ecd94416e118756c7cd/Laura_Bernstein_BRIC_Baranova-154.jpg" /&#62;
Philosopher and method biographer, Pliny has devoted her life’s work and study to embodying the Roman Statesman and Navel Commander Pliny the Elder.


Pliny will premier her Encyclopedic Sound Score: Audible Tracings: from Pliny the&#38;nbsp;Elder’s Natural History 78 AD (2019) which transcribes the vocal expression of ancient and medieval beasts.

Pliny (excerpt) from LRB on Vimeo.

&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a9cd29047208c4d44da1295677834357b5491e991f71a0f011d1f4aaf2bfc8e3/Laura_Bernstein_BRIC_Baranova-675-Edit.jpg" data-mid="57579262" border="0" data-scale="100" data-draggable alt="costume by Laura Bernstein" data-caption="costume by Laura Bernstein" src="https://freight.cargo.site/w/1000/i/a9cd29047208c4d44da1295677834357b5491e991f71a0f011d1f4aaf2bfc8e3/Laura_Bernstein_BRIC_Baranova-675-Edit.jpg" /&#62;
	MP16c
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f4f76c60626b778b7167a7ac706f421471cea8909c027ca09ef73dec44a8924c/Laura_Bernstein_BRIC_Baranova-164.jpg" data-mid="57579247" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f4f76c60626b778b7167a7ac706f421471cea8909c027ca09ef73dec44a8924c/Laura_Bernstein_BRIC_Baranova-164.jpg" /&#62;
 Clairvoyant and interpreter of images received in the form of visions. Her collection, Visions of the Strange and Miraculous (1111 CE), unravels moral symbolism embedded within ancient and medieval texts. Her explorations focus on natural phenomena, both geologic and planetary as they relate to otherworldly creatures. Versed in the ancient art of falconry, she regularly performs her work with her winged companion Hildegard.
 

MP16C (excerpt) from LRB on Vimeo.


&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2dd3de1f4d0442e92cee1a92e7826bc86bc0f9aeaf4af62b8112c6f1797248c3/Laura_Bernstein_BRIC_Baranova-691-Edit.jpg" data-mid="57579253" border="0" alt="image credit: XYZ" data-caption="image credit: XYZ" src="https://freight.cargo.site/w/1000/i/2dd3de1f4d0442e92cee1a92e7826bc86bc0f9aeaf4af62b8112c6f1797248c3/Laura_Bernstein_BRIC_Baranova-691-Edit.jpg" /&#62;
	Hybrid SP
&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/ab038c88731b9412558747a75228467021596d55474b9e0755a9d54f271ebaf0/Bernstein_Panotti-Reins.jpg" data-mid="57860305" border="0"  src="https://freight.cargo.site/w/1000/i/ab038c88731b9412558747a75228467021596d55474b9e0755a9d54f271ebaf0/Bernstein_Panotti-Reins.jpg" /&#62;HSP is an amalgamation. Called by the Greeks "shade-footed ones," and hailing from "All-Ears Islands," HSP is super- species, existing as ancient icon and future solution. HSP is currently undergoing Reverse Role Playing Reversal with P.T. Trainer. 

Hybrid S.P. (excerpt) from LRB on Vimeo.


&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c205df309b1dae06c14237536972e2fb202df163a2f1145ccd078993a3880510/Laura_Bernstein_BRIC_Baranova-665-Edit.jpg" data-mid="57860302" border="0"  src="https://freight.cargo.site/w/1000/i/c205df309b1dae06c14237536972e2fb202df163a2f1145ccd078993a3880510/Laura_Bernstein_BRIC_Baranova-665-Edit.jpg" /&#62;
	

	ET87 

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/62c4a9def55221c810629170b6b615f46f25b6956394414d61299e8a65620d0d/ET-87-Field-recorder.png" data-mid="58924499" border="0"  src="https://freight.cargo.site/w/1000/i/62c4a9def55221c810629170b6b615f46f25b6956394414d61299e8a65620d0d/ET-87-Field-recorder.png" /&#62;
ET87 is a field recorder and illustrator for ISSRE, who specializes in Bio Chakra and Evolutionary Anatomy Painting.ET87 has won the Audubon-NYE-Borges, “Being" award for plien-air painting. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="4223" height="3068" width_o="4223" height_o="3068" data-src="https://freight.cargo.site/t/original/i/7aeba01f329b57f089558ff7d357f0e175f0a234e5b6a649b0337b5fb7b8b45a/HazmatMolting.jpg" data-mid="58924508" border="0"  src="https://freight.cargo.site/w/1000/i/7aeba01f329b57f089558ff7d357f0e175f0a234e5b6a649b0337b5fb7b8b45a/HazmatMolting.jpg" /&#62;
&#60;img width="4219" height="3078" width_o="4219" height_o="3078" data-src="https://freight.cargo.site/t/original/i/9d9543d70e44a9e6953fd2b72511a9c8015ea9d9b0967854b31c212f9e849c14/PanottiTechtonic.jpg" data-mid="58924509" border="0"  src="https://freight.cargo.site/w/1000/i/9d9543d70e44a9e6953fd2b72511a9c8015ea9d9b0967854b31c212f9e849c14/PanottiTechtonic.jpg" /&#62;
&#60;img width="4239" height="3074" width_o="4239" height_o="3074" data-src="https://freight.cargo.site/t/original/i/eabda8fbff81cdc665092e62f1e65acdf66165be5c1fe691e37e2b421c9fbef5/sciapode-Scan.jpg" data-mid="58924510" border="0"  src="https://freight.cargo.site/w/1000/i/eabda8fbff81cdc665092e62f1e65acdf66165be5c1fe691e37e2b421c9fbef5/sciapode-Scan.jpg" /&#62;
&#60;img width="4165" height="3320" width_o="4165" height_o="3320" data-src="https://freight.cargo.site/t/original/i/a62a44d7f13c5e458b43c16f67beafa8978390976887c66347e9b1f4d1ce6e79/SH-tornado.jpg" data-mid="58924511" border="0"  src="https://freight.cargo.site/w/1000/i/a62a44d7f13c5e458b43c16f67beafa8978390976887c66347e9b1f4d1ce6e79/SH-tornado.jpg" /&#62;


	Lamarckism
Their physicality references French biologist Jean-Baptiste de Monet Lamarck's theory from Philisphie Zoologique (1809), that acquired traits are inheritable, a favorite example being the necks of giraffes gradually elongating as generations stretched to reach higher leaves.&#38;nbsp; These forms blur the line between the domestic and wild as they combine images of the past with speculations of the future.
&#60;img width="682" height="1024" width_o="682" height_o="1024" data-src="https://freight.cargo.site/t/original/i/a72b256107475f573a8445512600fb70f8255ca7d3bed95b0599135345cf0cfe/09_-Ascent-of-Lamarckism-detail.jpg" data-mid="59019696" border="0"  src="https://freight.cargo.site/w/682/i/a72b256107475f573a8445512600fb70f8255ca7d3bed95b0599135345cf0cfe/09_-Ascent-of-Lamarckism-detail.jpg" /&#62;
&#60;img width="1628" height="2100" width_o="1628" height_o="2100" data-src="https://freight.cargo.site/t/original/i/f78a6635178b947e76d3fa393684ac650cf46ee9351c73a81719ccfe96b980a8/Bernstein_The-Ascend-of-Lamarckism.jpg" data-mid="59019513" border="0"  src="https://freight.cargo.site/w/1000/i/f78a6635178b947e76d3fa393684ac650cf46ee9351c73a81719ccfe96b980a8/Bernstein_The-Ascend-of-Lamarckism.jpg" /&#62;
&#60;img width="864" height="576" width_o="864" height_o="576" data-src="https://freight.cargo.site/t/original/i/ffc3612358a054a701a6e772a59e871d1c2e75a7ae9b036a7e8ec73a22337856/Bernstein_7.jpg" data-mid="59019514" border="0"  src="https://freight.cargo.site/w/864/i/ffc3612358a054a701a6e772a59e871d1c2e75a7ae9b036a7e8ec73a22337856/Bernstein_7.jpg" /&#62;
&#60;img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/51b882e7c708e292c123e8a100c6e1f93ce90b8ceb3a1b295949b7f58c8115ea/Lamarck-install-full.jpg" data-mid="59019512" border="0"  src="https://freight.cargo.site/w/1000/i/51b882e7c708e292c123e8a100c6e1f93ce90b8ceb3a1b295949b7f58c8115ea/Lamarck-install-full.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/e8110ae9acb4ced8f315622da308792de59c10c712dfb63997cff21fc809176b/IMG_2145.JPG" data-mid="59019612" border="0"  src="https://freight.cargo.site/w/1000/i/e8110ae9acb4ced8f315622da308792de59c10c712dfb63997cff21fc809176b/IMG_2145.JPG" /&#62;
 

</description>
		
	</item>
		
		
	<item>
		<title>ISSRE Presentations</title>
				
		<link>https://rarabernstein.com/ISSRE-Presentations</link>

		<pubDate>Thu, 02 Jan 2020 19:21:58 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

		<guid isPermaLink="true">https://rarabernstein.com/ISSRE-Presentations</guid>

		<description>ISSRE Presentations

  
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  A Speculative Performance Presented by The Institute of Super-Species Research and Experimentation 
Paola Di Tolla, Encyclopedic Sound Score: Audible Tracings from Pliny The Elder's Natural History, 78 AD (2019), 5:00, mp3


March 27th, 2019, 7:00 PM BRIC House Stoop, 647 Fulton Street, Brooklyn, NY 11217. &#38;nbsp;In this performance piece, a group of distinguished pseudoscientific specialists assemble to conduct and report their research on a series of strange and miraculous beasts reminiscent of those described and illustrated within Pliny the Elder’s Natural History written 77-79AD. Drawing from the fantastical worlds of medieval bestiaries while employing the methods of 20th century behavioralists and circus performers, the group of specialists work toward imagining alternatives for surviving in a climate that no longer supports our current human physiology.   The specialists, Nikki Calonge, Simone Kearney, Hanna Novak, Emily Reilly, Emily Taibleson and Paola Di Tolla are all performers and artists in their own right with distinct and authentic practices and were commissioned by artist and director Laura Bernstein to produce content under the auspices of their assigned characters.   This program took place in conjunction with the BRIC Biennial: Volume III, South Brooklyn Edition, On view through April 7th, 2019.&#38;nbsp; This work was made possible, in part, by the Franklin Furnace Fund supported by the Jerome Foundation and the New York City Department of Cultural Affairs in partnership with the New York City Council. 
A Speculative Performance Presented by The Institute of Super-Species Research and Experimentation with works and performances by: 

Laura Bernstein as Producer and Director of The Institute of Super-Species Research and Experimentation (ISSRE)-------Author of Primer Video (ISSRE), 4:50 HD video (color) 2019, artist and designer of wearable sculptures and costumes.&#38;nbsp; 

Nikki Calonge as P.T. Trainer---------------Choreographer, Make Into Pets, March 23, 2023AD (2019), Body and flight.

Simone Kearney as MC16c--------Author of Visions of The Strange and Miraculous 1111 CE, (2019), Falcon feather, Ink spat from the ass of a bird, parchment paper.

Hanna Novak as Hybrid S.P.----------------Author of Last Love Letter to Pliny the Elder (2019), stylus on wax tablet, archival transfer to iMac, Final Cut Pro 10. 

Last Love Letter to Pliny the Elder (2019) from LRB on Vimeo.
Emily Reilly as Pseudoscientist ER87-----------------Dramaturg and Author of Schematic Analysis Figures I--IV, 2040, (2019), science from the future.

Paola Di Tolla as Pliny-------------Author of Encyclopedic Sound Score: Audible Tracings from Pliny The Elder's Natural History, 78 AD (2019), 5:00, mp3. 

Emily Taibleson as ISSRE Field Researcher and Illustrator----------Author of Bio Chakra Evolutionary Anatomy Paintings: Figure I Sciapode, Figure II Shakespeare's Horny, Figure III Panotti, Figure IV The Molting of Hazmats, (2019), 9" x 12" watercolor and ink on paper, scanned for digital projection.

Photographer: Maria Baranova-Suzuki

Videographer: Rebecca Rom-Frank and David Sherman 

This program took place in conjunction with the BRIC Biennial: Volume III, South Brooklyn Edition
This work was made possible, in part, by the Franklin Furnace Fund supported by Jerome Foundation and the New York City Department of Cultural Affairs in partnership with the City Council.


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These video recordings capture creatures posing, preening, courting and marking their territory within various natural environments. The video was taken by a group of scientists called the Super-species Hazmat (“S-s H”). Within these moving images, we see evidence of S-s H and their interjections. S-s H is a community devoted to conducting cross-disciplinary tests between humans and beasts, basing their scientific method on medieval (pre-enlightenment) modes of thought. Tests are performed with the intention to create a hybrid creature-like species capable of adapting to survive the Age of No Ozone. 

The anatomical anomalies of the forms derived from these ancient and medieval bodies confuse distinctions between the domestic and the wild. What was produced from the earth, and what was created through conflations of the imagination? What is real and what is imaginary? When does something become real? What if bodies in the future look like bodies from the past? 

Through genetic engineering, we have the capacity to create such hybrid species. Half human, half creature, these forms recall the fantastical beasts recorded by Pliny the Elder in his Natural History, 77—79 AD, and later produced in the Nuremberg Chronicle, written by Hartmann Schedel and published in 1493. Pliny’s Natural History records the traits and functions of a number of creatures through text and illustration. 

The shape of these bodies--captured on film--cause speculation on how the landscape might change and how the anatomy and physiology of our bodies may need to adapt and change to withstand environmental elements. These forms draw from the past while projecting onto the future, reflecting our own emotional state of unknowing while asking: "what makes something human?".

Becoming Beast2017, Nurture Art, Brooklyn, NY


Channel 1 Becoming Beast (excerpt web) from LRB on Vimeo.
Channel 2 Becoming Beast (excerpt web) from LRB on Vimeo.


Channel 3 Becoming Beast (excerpt web) from LRB on Vimeo.
&#60;img width="5552" height="3744" width_o="5552" height_o="3744" data-src="https://freight.cargo.site/t/original/i/ab6b183d4c444b746c0316e5d6faea727f81f984bdc105c3d619b35e5691ca83/LHW-install01.jpg" data-mid="59508446" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ab6b183d4c444b746c0316e5d6faea727f81f984bdc105c3d619b35e5691ca83/LHW-install01.jpg" /&#62;
Bestial Field Recordings: 2015-2018
Lighthouse Works Residency, Fisher’s Island, NY
lecture, Super-Species Hazmat (S-s H) RA87,
Napolean, Philadelphia, PA
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/30f0354d7544c765ac371d228634162f38c720c9d8c15f111d6b358b5f1e3411/Apparatus-philly.jpg" data-mid="59004565" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/30f0354d7544c765ac371d228634162f38c720c9d8c15f111d6b358b5f1e3411/Apparatus-philly.jpg" /&#62;
	
&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/2a2002676c10eaee3bfe77a578aab523a1e8af056fd8a31e4bb9c366e5e964c1/creatures-of-grotto-snow-72dpi.jpg" data-mid="59542671" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2a2002676c10eaee3bfe77a578aab523a1e8af056fd8a31e4bb9c366e5e964c1/creatures-of-grotto-snow-72dpi.jpg" /&#62;
&#60;img width="1240" height="827" width_o="1240" height_o="827" data-src="https://freight.cargo.site/t/original/i/e6fc42c0f205bb732688ba1424a6e30252420354a4064eae4d51772edaedb47e/06_CreaturesfromGrottoIII.jpg" data-mid="59508549" border="0"  src="https://freight.cargo.site/w/1000/i/e6fc42c0f205bb732688ba1424a6e30252420354a4064eae4d51772edaedb47e/06_CreaturesfromGrottoIII.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/f9a33c5ef50e7587d6d798cb5e168ff013c0681273c11783691e6bb0cc172449/GMartlot.jpg" data-mid="59508550" border="0"  src="https://freight.cargo.site/w/1000/i/f9a33c5ef50e7587d6d798cb5e168ff013c0681273c11783691e6bb0cc172449/GMartlot.jpg" /&#62;
&#60;img width="3405" height="5616" width_o="3405" height_o="5616" data-src="https://freight.cargo.site/t/original/i/767a0d03ad3c420bdda1d536be81db9f7be0d3364f8decb7a22b25d292ffc0fb/PanottiArtlot1.jpg" data-mid="59508551" border="0"  src="https://freight.cargo.site/w/1000/i/767a0d03ad3c420bdda1d536be81db9f7be0d3364f8decb7a22b25d292ffc0fb/PanottiArtlot1.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/298246a3be9b63a99c5269b4f0e3035d5f6d46a3732cdb6db50c05933263d5ca/SciapodeArtlot.jpg" data-mid="59508553" border="0"  src="https://freight.cargo.site/w/1000/i/298246a3be9b63a99c5269b4f0e3035d5f6d46a3732cdb6db50c05933263d5ca/SciapodeArtlot.jpg" /&#62;

	S-sH reproduction of creatures from grotto III of Vesuvius 79 BCE 2017&#38;nbsp; 
Past Myth, Future Form, ART LOT, outdoor sculpture show with Anna Tsouhlarakis. Curated by Aimee Burg and Natalia Zubko, Brooklyn, NY 

	
Panotti, Mirror, The Imaginary
2017
4:15 Three-channel video, sculpture&#38;nbsp; installation (color, sound). Dimensions variable.&#38;nbsp;
Papier-machet, Tyvek, fake teeth, fake eyelashes, sculpey, plastic, wire, wood. Tv monitors, headphones, wooden bench.&#38;nbsp;
the barometric pressure is all over the place, with Daniel Glendenning, Anytime Dept., Cincinnati, OH

	
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/2f74632be0f725769f22633d7908b12ef39d5f9d95f96eebcb42ac27a65c5b7b/L_D_011.jpg" data-mid="59508269" border="0"  src="https://freight.cargo.site/w/1000/i/2f74632be0f725769f22633d7908b12ef39d5f9d95f96eebcb42ac27a65c5b7b/L_D_011.jpg" /&#62;
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/88ff7bbba9bb97d27f5f66b0ad9b8d80e573e657e11f7acb8100e4da35a97779/L_D_008.jpg" data-mid="59508267" border="0"  src="https://freight.cargo.site/w/1000/i/88ff7bbba9bb97d27f5f66b0ad9b8d80e573e657e11f7acb8100e4da35a97779/L_D_008.jpg" /&#62;
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b245043f39efb361a124232c4e20ff45abf8d2019738d5aecae76dc3eb38d96f/L_D_010.jpg" data-mid="59508268" border="0"  src="https://freight.cargo.site/w/1000/i/b245043f39efb361a124232c4e20ff45abf8d2019738d5aecae76dc3eb38d96f/L_D_010.jpg" /&#62;
&#60;img width="1280" height="933" width_o="1280" height_o="933" data-src="https://freight.cargo.site/t/original/i/b31e609d441440b116dea2bf080a1de2727d64bca5ecad7181252ae8e2d77396/L_D_005.jpg" data-mid="59508266" border="0"  src="https://freight.cargo.site/w/1000/i/b31e609d441440b116dea2bf080a1de2727d64bca5ecad7181252ae8e2d77396/L_D_005.jpg" /&#62;

Panotti : The Mirror Stage : The Imaginary from LRB on Vimeo.


&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/e653f210007b06b4aa8aacbe0cc15e8c83527a7c9197ff8307f47f7537617673/SHInstall.jpg" data-mid="59508765" border="0"  src="https://freight.cargo.site/w/1000/i/e653f210007b06b4aa8aacbe0cc15e8c83527a7c9197ff8307f47f7537617673/SHInstall.jpg" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d888011cd4c34686ea6e9f532784f0361cb9c8eb19ec6f4fabe2b06e159fe166/IMG_0092.jpg" data-mid="59508766" border="0"  src="https://freight.cargo.site/w/1000/i/d888011cd4c34686ea6e9f532784f0361cb9c8eb19ec6f4fabe2b06e159fe166/IMG_0092.jpg" /&#62;
&#60;img width="4984" height="3456" width_o="4984" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d307bbd5a769cbfba6269cf2179e3035283751f66592e8b8452dce5d8f2e8ed8/IMG_0133.jpg" data-mid="59508767" border="0"  src="https://freight.cargo.site/w/1000/i/d307bbd5a769cbfba6269cf2179e3035283751f66592e8b8452dce5d8f2e8ed8/IMG_0133.jpg" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6a839c9ea60306e0fe85bfade27b724af089f9812054477897410cc68e5948ff/IMG_0134.jpg" data-mid="59508768" border="0"  src="https://freight.cargo.site/w/1000/i/6a839c9ea60306e0fe85bfade27b724af089f9812054477897410cc68e5948ff/IMG_0134.jpg" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/0134e81e99fb6f9dd16c07e4c028949510ed1bd6610ef58afdf41cef7d4a3443/IMG_0143.jpg" data-mid="59508769" border="0"  src="https://freight.cargo.site/w/1000/i/0134e81e99fb6f9dd16c07e4c028949510ed1bd6610ef58afdf41cef7d4a3443/IMG_0143.jpg" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/2d00677f094c2523737b6267a70441094a29860eab79c6a967f45ca9f420aa65/IMG_0152.jpg" data-mid="59508770" border="0"  src="https://freight.cargo.site/w/1000/i/2d00677f094c2523737b6267a70441094a29860eab79c6a967f45ca9f420aa65/IMG_0152.jpg" /&#62;
3D Model of Shakespeare’s Horny Head I2017 Plaster, burlap, plastic, paraffin, steel piping, acrylic paint, paper; with (SH) Hoop Jump I, 3:20 HD video (color, sound). &#38;nbsp;
Word to the Wise, ACRE projects Space, curated by Ann Meisinger, Chicago, IL 

Molted Shell of Sciapode watching a video of Sciapodae 

2017 
Molted shell of Sciapode watching a video of Sciapodae is a vignette exploring the evolutionary anatomy of the Sciapode and its ecological relationship to the world. First described in the Natural History written by the Roman statesman Pliny The Elder in (77) AD, the Sciapode has one foot, which extends from the center of its body and is used to shade its body from the sun. The video footage captures observations made by a group of scientists called the Super-species Hazmat (S-s H). S-s H is a community devoted to conducting cross-disciplinary tests between humans and beasts. Tests are performed with the intention to create a hybrid creature-like species capable of adapting to survive the Age of No Ozone (AONO). S-s Hazmat bases their scientific methods on pre-enlightenment (medieval) modes of thought. 
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/82a7179ff7a215a85cd6d7a55994f0a35d8281615ca4941e316e02dbc01b65be/Bernstein03.jpg" data-mid="59132548" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/82a7179ff7a215a85cd6d7a55994f0a35d8281615ca4941e316e02dbc01b65be/Bernstein03.jpg" /&#62;

3:50 HD video (color, sound) on loop 
Sculpture; wood, wire mesh, iron pipes, plaster, burlap, felted wool, papier-mâché, mixed paper, plastic, laminated illustration of Google image search Sciapode. 
5’ H x 2.5’ W x 4’ LMolted Shell of Sciapode watching a video of Sciapodae 

The Sciapodae's Tomato from LRB on Vimeo.

 </description>
		
	</item>
		
		
	<item>
		<title>Sculpture and Installation and Performance</title>
				
		<link>https://rarabernstein.com/Sculpture-and-Installation-and-Performance</link>

		<pubDate>Thu, 02 Jan 2020 19:41:45 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

		<guid isPermaLink="true">https://rarabernstein.com/Sculpture-and-Installation-and-Performance</guid>

		<description>Sculpture- Installation-Performance

	
Hell Mouth:
2022 
Essex Flowers,
NY, NY
	
&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/c09e3f4ca74303810b772d3e15f500b8ca010a73da12b55c8ff923fb2cfe1b2b/Laura-Bernstein-10-13-2261988.jpg" data-mid="158895792" border="0"  src="https://freight.cargo.site/w/1000/i/c09e3f4ca74303810b772d3e15f500b8ca010a73da12b55c8ff923fb2cfe1b2b/Laura-Bernstein-10-13-2261988.jpg" /&#62;
&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/45bea2109792baa3b14712d6f276dc751504a3fe3c9e0fcc891234f249290158/Laura-Bernstein-10-6-2261690.jpg" data-mid="158890395" border="0"  src="https://freight.cargo.site/w/1000/i/45bea2109792baa3b14712d6f276dc751504a3fe3c9e0fcc891234f249290158/Laura-Bernstein-10-6-2261690.jpg" /&#62;
&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/a3bdb03430f6ca4f2fb1b3756bfeb5c3edf5ee9b552056f856a55f3c6937b7dc/Laura-Bernstein-10-13-2262103.jpg" data-mid="158895716" border="0"  src="https://freight.cargo.site/w/1000/i/a3bdb03430f6ca4f2fb1b3756bfeb5c3edf5ee9b552056f856a55f3c6937b7dc/Laura-Bernstein-10-13-2262103.jpg" /&#62;
&#60;img width="5000" height="3749" width_o="5000" height_o="3749" data-src="https://freight.cargo.site/t/original/i/7277548243f287a9d11d6abbd2fe9d453ca75d263a4a3b50a0a9b9da729cf0c8/Laura-Bernstein-10-6-2261686.jpg" data-mid="158890394" border="0"  src="https://freight.cargo.site/w/1000/i/7277548243f287a9d11d6abbd2fe9d453ca75d263a4a3b50a0a9b9da729cf0c8/Laura-Bernstein-10-6-2261686.jpg" /&#62;
&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/c6ac1c4dfb557dfe31acfb91d52b98b4ecc556946ec8f672958e4404f73f27b0/Laura-Bernstein-10-13-2262065.jpg" data-mid="158896207" border="0"  src="https://freight.cargo.site/w/1000/i/c6ac1c4dfb557dfe31acfb91d52b98b4ecc556946ec8f672958e4404f73f27b0/Laura-Bernstein-10-13-2262065.jpg" /&#62;
&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/2a151338205813d0142228f557cbfe2361322ad3b435068e501da7f30a94d715/Laura-Bernstein-10-6-2261667.jpg" data-mid="158890393" border="0"  src="https://freight.cargo.site/w/1000/i/2a151338205813d0142228f557cbfe2361322ad3b435068e501da7f30a94d715/Laura-Bernstein-10-6-2261667.jpg" /&#62;
&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/ec402f47d2720a004b5eab4c2109d4b3dde6a8db81a192f9d324b7291b2b5f38/Laura-Bernstein-10-6-2261699.jpg" data-mid="158890396" border="0"  src="https://freight.cargo.site/w/1000/i/ec402f47d2720a004b5eab4c2109d4b3dde6a8db81a192f9d324b7291b2b5f38/Laura-Bernstein-10-6-2261699.jpg" /&#62;
&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/19f30c82811b51ae9793733e031cf2ca69ebdc8234a489db3aa4150c05749f3d/Laura-Bernstein-10-6-2261706.jpg" data-mid="158890397" border="0"  src="https://freight.cargo.site/w/1000/i/19f30c82811b51ae9793733e031cf2ca69ebdc8234a489db3aa4150c05749f3d/Laura-Bernstein-10-6-2261706.jpg" /&#62;
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Essex Flowers is pleased to present Hell Mouth, an installation comprising textiles, puppets, watercolor
paintings and a three-channel stop-motion video, by Laura Bernstein.

					
Hell Mouth opens wide, a threshold exposing a procession of hybrid creatures, hand-stitched from repur-
posed textiles. Stop-motion animations display the convergence of monstrous and miraculous events tak-
ing place within the materially layered world of the tent. Hell Mouth draws on medieval theater traditions
that employed the image of the mouth of Hell as a way to visually dramatize the demise of the damned.
Bernstein uses this image juxtaposed with worldly animals – the bears fleeing the American West, the
murder hornets invading the Pacific Northwest, the spotted lantern flies swarming the Northeast — as an
analogy for our current moment of upheaval: the ongoing pandemic, climate catastrophe and the rapid
displacement of animal species.

					
Hell Mouth explores mythologies of metamorphoses and origin stories of beasts in relation to Pliny the
Elder’s Natural History, The Book of Miracles and contemporary natural disasters. Can we call disasters
natural anymore? What beasts will be unearthed or preserved as these ecological crises unfold? How will
technological and biological advances shape the anatomy and somatic experience of future populations?
Is our current society reverting back to a medieval mindset, where tradition takes precedence over reason
and science, and alternate reality overpowers logic?


Photo documentation by Elisabeth Bernstein


Miraculous Disasters, three-channel stop-motion video installation, 3:15 min loop, 2021–ongoing, remixing Paola Di Tolla’s Encyclopedic Sound Score: Audible Tracings from Pliny The Elder's Natural History, 78 AD (2019)

 
Miracle Tapestries: June 25, 2022
Art Yard, Hatch Biennial, Frenchtown, NJ,&#38;nbsp;
	
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“Hatch features live music, performance, storytelling, and a parade of locals dressed as birds who hatch from a giant 14-foot egg to celebrate creative incubation and community.“

For Artyard's 2022 Hatch Biennial, June 25, 2022, Bernstein invited 14 artists and performers to contribute to the Miracle Tapestries Project with their own exploratory practices. Collectively drawing on each month of the year from past, present and future, the artists recall their own miraculous or mysterious encounters with nature through spoken word, sound and movement. In the spirit of ArtYard's Cranki and Cantastoria tradition, a collective poem was composed and performed in embrace for finding joy in the natural world despite its unknown and frightening future.

This collaboration includes:&#38;nbsp; Natessa Amin, Georgina Arroyo, Laura Bernstein, Jana Benitez, Claire Bidwell, Kryta Brayer, Tamar Ettun, Ava Hassinger, Rebecca Pristoop, Emily Reilly, Lydia Rosenberg, Ryan L Smith, Lexy Ho-Tai, Leah Victoria. and Amalia Wilson.

Miracle Tapestries Project seeks to stimulate curiosity and wonder toward the natural world through movement, color and form. The tapestries create an 100 foot long hand sewn calendar of symbols stitched from recycled fabrics and adorned with real and imagined creatures and elemental phenomena, recording events that occurred each month of 2020 as experienced by Bernstein. 
Exploring the malleability of memory and symbols, Miracle Tapestries Project has become an invitation for public processional and collective meaning making, a way to mark (and celebrate) the passage of time through performance and group play in collaboration with Rebecca Pristoop and The Moving Company and Friends.
Photo documentation by Krysta Brayer


	Miracle Tapestries: A Stage for Imagination and Invention in a New Age
May 1, 2021
Fort Greene Park, Brooklyn, NY
	
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A meditation on our current moment of climate crisis, the wonder, disbelief and inability to fully comprehend the scale and speed of catastrophes. Conceived and materialized by Laura Bernstein and presented in collaboration with The Moving Company and Friends, Miracle Tapestries has become a calendar of symbols, reflecting on the year 2020. The swathes of hand sewn fabrics adorned with dragons, comets, wildfires, bears and other real and imagined creatures and elemental phenomena, are explored through movement by a group of artists, collaborators, friends and performers as they make a procession down Willoughby Ave from Carlton Ave to Fort Greene Park. Once within Fort Greene Park the tapestries will be unfurled creating a container for miracles. It will act as the loci for various offerings, rituals, poetry readings, movement experiments and games, to help alleviate the grief and solitude experienced collectively and independently over the past year. 


Collaborators include: ESHÉ All Day Hues, Nathan Albright, Georgina Arroyo, Krysta Brayer, Joey De Jesus, Shaun Ellison, Matt Evans, Adam Fitzgerald, Amanda Friedman, Lexy Ho-Tai, Maia Karo, Simone Kearney, Gabriel Kruis, Jemila MacEwan, Annabel Paran, Rachel Rabhan, Emily Reilly, David Sherman, Andrea Solstad, Leah Wishnia


The Moving Company and Friends (Laura Bernstein + Rebecca Pristoop) will present Miracle Tapestries, a calendar of symbols reflecting on the year 2020 as part of SHOW UP a day of radical joy throughout Brooklyn Parks, MAY 1, 2021, 3-5pm Photo Documentation by Krysta Brayer
	

	Illuminator2019Y2K group at 5A, Brooklyn, NY


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&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/d78a3b318bb5f7178308ebd2cff74b894ab7b7c97f2bfaa831886a56d21a8f1c/illuminator-detail--match-box-and-snuff.jpg" data-mid="57587127" border="0"  src="https://freight.cargo.site/w/1000/i/d78a3b318bb5f7178308ebd2cff74b894ab7b7c97f2bfaa831886a56d21a8f1c/illuminator-detail--match-box-and-snuff.jpg" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/a17f5fadaa97533354ee9ae02849bb5543d5c6cff80d4da93d400e79120d8f25/Y2K-7.jpg" data-mid="60069607" border="0" alt="Pages from Apocalyptic picture book, 2019  Thirty two paintings, watercolor and ink on paper Thirty two, 18 &#38;times; 12 inches, Overall: 72 &#38;times; 10 inch. Watercolors reconfigure the black and white thumb nail images held within the margins of Encyclopedias documenting 'Western Civilization; The Middle Ages'. These thumb nail images expand  medieval illuminations lining the boarders of a manifold of manuscripts. Like stain glass or a tapestry, these watercolors aim to tell a story--as the pages splay open, no longer a book--where the moral or allegory is held within the crafts distorted function." data-caption="Pages from Apocalyptic picture book, 2019  Thirty two paintings, watercolor and ink on paper Thirty two, 18 × 12 inches, Overall: 72 × 10 inch. Watercolors reconfigure the black and white thumb nail images held within the margins of Encyclopedias documenting 'Western Civilization; The Middle Ages'. These thumb nail images expand  medieval illuminations lining the boarders of a manifold of manuscripts. Like stain glass or a tapestry, these watercolors aim to tell a story--as the pages splay open, no longer a book--where the moral or allegory is held within the crafts distorted function." src="https://freight.cargo.site/w/1000/i/a17f5fadaa97533354ee9ae02849bb5543d5c6cff80d4da93d400e79120d8f25/Y2K-7.jpg" /&#62;
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Exhibition statement:
Illuminator is an exhibition by Laura Bernstein composed of new sculpture with painting, works on paper and video. In this installation, Bernstein works within the liminal space of pictures and words while drawing on the imagery of anonymous authors who illuminated medieval manuscripts. Illuminator centers itself around a sexless wing finned figure, embedded with candles and barnacles--a humanoid candelabra--dripping, melting and congealing fleshy, gilded wax. Though the monks and nuns who illuminated manuscripts were forbidden from working in the dark or using candles for fear that their illuminations might go up in flames, Illuminator is built to both emit light and act as an alter/vessel for prayer. Presiding over a floor painting depicting the Fall of Babylon as an upside down city inspired by the “Bamberg Apocalypse 1000 A.D”, Bernstein’s works explore loss as a form of transformation that provides clarity of vision. Bernstein meditates on illuminated manuscripts as early picture books, stone animals as gods, and fire and water as fundamental tools for animation. 
In Pages From An Apocalyptic Picture Book, Bernstein reinterprets thumbnail images from the margins of encyclopedias of western civilization documenting medieval times. Infusing the black and white pictures with color, and adding, omitting or reorienting the composition and scale, Bernstein looks to these flat pictures in an effort to understand images as a form of narrative building and story telling rather than art.


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Animals That Turned To Stone from LRB on Vimeo.


Animals That Turned To Stone is a video by Bernstein made in collaboration with Emily Taibleson on a 2019 trip to Rome, where Bernstein and Taibleson both studied in 2008. Their 2019 trip marks the first time they have both returned. Traversing the city on a “stone safari”, Bernstein and Taibleson went in search of dragons, lions, falcons, serpents, centaurs, Sphinx’s and more to capture and record all the beasts they could find (within reach). Simultaneous to filming, they read to each other aloud from the epic poem “Metamorphoses” by the Roman poet Ovid. Within this digital document, Bernstein and Taibleson contemplate the symbolism, mythology, morality and spirit of the ancient stone beasts filmed within the context of our climate crisis. Propelled by the current administration’s denial of and inability to protect, preserve, and remediate and restore our environment and the countless species at risk of extinction, Animals That Turned To Stone looks to the calcified past to speculate on the petrified future where creatures once alive exist only in stone. 


	Hybrid Ecologies
2019
 Bridge Projects, Children’s Museum of Art, NY, NY

 
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Taking inspiration from The Book of Miracles, an illustrated manuscript depicting miraculous phenomena and awesome apocalyptic visions of the 16th century, Hybrid Ecologies looks to the past — ancient and medieval mythology — to speculate on the future of our changing times. As visitors travel through Hybrid Ecologies, the boundaries known to separate ecosystems collapse and begin to break. Creatures of the sea swim with those who fly in the sky, while sharing terrain with those known to inhabit the land. Desert, forest, and mountains converge. Fusing and confusing space and form and new relationships between species are built. As these barriers are shattered, visitors are invited step inside the suspended forms that act as helmets, to contemplate possibilities for cohabitation, mutation, and hybridization. With extinction and devastation comes the need for imagination, possibility for revelation, the discovery of new creation. An evolving community full of transformation and metamorphoses, Hybrid Ecologies offers visitors the opportunity to play within a living diorama to experience shifts in scale and time, to imagine a world where borders are fluid between all living species.


	Accordion Suits for Commutes, roving public performance, Greensboro, NC, 2014

Created at Elsewhere Museum in Greensboro, NC and performed in collaboration with dancers and choreographers Cynthia Ling Lee, Brianna Taylor and their students. Accordion Suits for Commutes uses men's blazers from the museum’s collection as a foundation for creating collaborative clothing that examines group dynamics, movement negotiations and locomotion throughout the city’s center.&#38;nbsp; 


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Accordion Suits for Commutes from LRB on Vimeo.


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Finding The Fall Public performance, Philadelphia, PA and Vienna, Austria 2013-14 Documentation of a public performance, Vienna, Austria, 2014. A displaced parachutist explores the social geography of various urban environments while searching for the action that propelled her into the space she walks.
&#38;nbsp; &#38;nbsp; 
	
	
Finding The Fall Vienna from LRB on Vimeo.
	
	
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&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2aa93671110c93d24ed7d5f5ac5954683013411821fc52100cb98533e1043d59/PennMFA_LauraBernstein_013_o.jpg" data-mid="59092267" border="0"  src="https://freight.cargo.site/w/1000/i/2aa93671110c93d24ed7d5f5ac5954683013411821fc52100cb98533e1043d59/PennMFA_LauraBernstein_013_o.jpg" /&#62;
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/21709e90a1c2a6fe93161eeb24570b7fdcf2a1b3e502c7bf09fd8f51d2f81140/PennMFA_LauraBernstein_087_o.jpg" data-mid="59092266" border="0"  src="https://freight.cargo.site/w/1000/i/21709e90a1c2a6fe93161eeb24570b7fdcf2a1b3e502c7bf09fd8f51d2f81140/PennMFA_LauraBernstein_087_o.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/df9c267c333d5ad8079bbc123af5118b44a04c46ffa1b7e722d1dcc48aff9cdd/PennMFA_LauraBernstein_062_o.jpg" data-mid="59092263" border="0"  src="https://freight.cargo.site/w/1000/i/df9c267c333d5ad8079bbc123af5118b44a04c46ffa1b7e722d1dcc48aff9cdd/PennMFA_LauraBernstein_062_o.jpg" /&#62;

Carousel 2014
 (Installation at Franz Joseph Kai Gallery, Vienna, Austria) Newsprint, recycled texts, photocopies of ink drawings, papier-mâché, cardboard. &#38;nbsp;Dimensions variable. &#38;nbsp;The carousel’s radial symmetry acts as a focal point for a variety of actions and events to unfold--similar to early gymnasiums--where bodies bend and flex to “shed skin” and mold into what is imagined as a “more desirable” version of self. The Carousel holds hanging helmets instead of horses. Inside the helmets are fragmented drawings of figures exercising and training.  
	Disconnection 2012
 3:07 HD three channel video performance (color, sound)
The Velcro and wool figures navigate their physical relationships within various institutional and transitional spaces, such as the library and the elevator. 

&#60;img width="600" height="375" width_o="600" height_o="375" data-src="https://freight.cargo.site/t/original/i/131d28c613a2a22767dcd04a79ab3670a345e3d9fcc1aa0b25fe9a154e99695e/Disconnection.jpg" data-mid="59600622" border="0"  src="https://freight.cargo.site/w/600/i/131d28c613a2a22767dcd04a79ab3670a345e3d9fcc1aa0b25fe9a154e99695e/Disconnection.jpg" /&#62;

	
Velcro Disconnections from LRB on Vimeo.


	&#60;img width="480" height="720" width_o="480" height_o="720" data-src="https://freight.cargo.site/t/original/i/215efb85e7381deb15d0786a804f14068b5c98b4da9d0d02772293acebef9572/Bernstein_Laura_09.jpg" data-mid="59598184" border="0" data-scale="100" src="https://freight.cargo.site/w/480/i/215efb85e7381deb15d0786a804f14068b5c98b4da9d0d02772293acebef9572/Bernstein_Laura_09.jpg" /&#62;
	In The Shape of a Watch-Coat2012
 Wool and wooden peg, 30” x 12” x 67” 
Based off of a passage from Moby-Dick from The Mast-Head chapter. Ishmael analogizes a house to an ‘unclad body’. Displayed at the Annenberg School of Communication, University of Pennsylvania, 2012--2018.
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</description>
		
	</item>
		
		
	<item>
		<title>Painting</title>
				
		<link>https://rarabernstein.com/Painting</link>

		<pubDate>Thu, 02 Jan 2020 19:41:31 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

		<guid isPermaLink="true">https://rarabernstein.com/Painting</guid>

		<description>Painting

	
&#60;img width="1351" height="1235" width_o="1351" height_o="1235" data-src="https://freight.cargo.site/t/original/i/10c8c837c72079db1fddd763b336d8350be4d6bed4e00f5e23d74b50d3f83408/Anatomy-Theater--Waiting-for-a-deer-to-give-birth.jpg" data-mid="57587855" border="0"  src="https://freight.cargo.site/w/1000/i/10c8c837c72079db1fddd763b336d8350be4d6bed4e00f5e23d74b50d3f83408/Anatomy-Theater--Waiting-for-a-deer-to-give-birth.jpg" /&#62;
&#60;img width="1401" height="1360" width_o="1401" height_o="1360" data-src="https://freight.cargo.site/t/original/i/85d3c7f6ad67688ae4d0474c4f507a492c90327c72926d08a3667c7fb094eaaf/FFF-performance-plans.jpg" data-mid="57587856" border="0"  src="https://freight.cargo.site/w/1000/i/85d3c7f6ad67688ae4d0474c4f507a492c90327c72926d08a3667c7fb094eaaf/FFF-performance-plans.jpg" /&#62;
&#60;img width="1471" height="1016" width_o="1471" height_o="1016" data-src="https://freight.cargo.site/t/original/i/ee071423ebd24078d814b6c572f657035738c15ed101a79b366e896151b59e54/Lions--Tigers--Bears.jpg" data-mid="57587857" border="0"  src="https://freight.cargo.site/w/1000/i/ee071423ebd24078d814b6c572f657035738c15ed101a79b366e896151b59e54/Lions--Tigers--Bears.jpg" /&#62;
&#60;img width="1446" height="1001" width_o="1446" height_o="1001" data-src="https://freight.cargo.site/t/original/i/edd20321eefc1fcd5f75de05b7866be69c91275ffd82e238b5f2e6b9cd22387f/Parade--2016.jpg" data-mid="57587858" border="0"  src="https://freight.cargo.site/w/1000/i/edd20321eefc1fcd5f75de05b7866be69c91275ffd82e238b5f2e6b9cd22387f/Parade--2016.jpg" /&#62;
&#60;img width="2400" height="1841" width_o="2400" height_o="1841" data-src="https://freight.cargo.site/t/original/i/33cdfc2e070e50f2a40fe9fa84ee8ac3b5ad9360c13fc4a80b57c54986a27364/Rodeo--2018--watercolors-and-ink-on-paper--30--x-25-.jpg" data-mid="57587859" border="0"  src="https://freight.cargo.site/w/1000/i/33cdfc2e070e50f2a40fe9fa84ee8ac3b5ad9360c13fc4a80b57c54986a27364/Rodeo--2018--watercolors-and-ink-on-paper--30--x-25-.jpg" /&#62;
&#60;img width="1421" height="1024" width_o="1421" height_o="1024" data-src="https://freight.cargo.site/t/original/i/1ab582dd03119b3d7da3cc5b2b6dcb89738326fafc9ae60ffae44b88a592b1fc/Sad-Circus.jpg" data-mid="57587860" border="0"  src="https://freight.cargo.site/w/1000/i/1ab582dd03119b3d7da3cc5b2b6dcb89738326fafc9ae60ffae44b88a592b1fc/Sad-Circus.jpg" /&#62;
&#60;img width="1987" height="1386" width_o="1987" height_o="1386" data-src="https://freight.cargo.site/t/original/i/09d76b2b08271c3a64f87f96220af06a4a58133626ebcf0d51df478d84ee1547/sheep-sheer.jpg" data-mid="57587861" border="0"  src="https://freight.cargo.site/w/1000/i/09d76b2b08271c3a64f87f96220af06a4a58133626ebcf0d51df478d84ee1547/sheep-sheer.jpg" /&#62;
&#60;img width="1518" height="1157" width_o="1518" height_o="1157" data-src="https://freight.cargo.site/t/original/i/7aa2ddb2aa53cfb0237d1dfba4a59b1950409128e01dc3027b8694cdc7b3604a/The-Gym.jpg" data-mid="57587862" border="0"  src="https://freight.cargo.site/w/1000/i/7aa2ddb2aa53cfb0237d1dfba4a59b1950409128e01dc3027b8694cdc7b3604a/The-Gym.jpg" /&#62;


&#60;img width="2448" height="3120" width_o="2448" height_o="3120" data-src="https://freight.cargo.site/t/original/i/67230b4ca5c2d31517f5d08e080b277ee97e0b512030eb748ef3caad37c40303/Arena-Gymnasts--2014--arcylic-on-mylar.jpg" data-mid="57587463" border="0"  src="https://freight.cargo.site/w/1000/i/67230b4ca5c2d31517f5d08e080b277ee97e0b512030eb748ef3caad37c40303/Arena-Gymnasts--2014--arcylic-on-mylar.jpg" /&#62;
&#60;img width="2400" height="1702" width_o="2400" height_o="1702" data-src="https://freight.cargo.site/t/original/i/9c1fc5ed2c82c04098d5b79757e31b0ca037624c164c3abdfb94d4d5520eb4c2/Arena-sketch--2013.jpg" data-mid="57587464" border="0"  src="https://freight.cargo.site/w/1000/i/9c1fc5ed2c82c04098d5b79757e31b0ca037624c164c3abdfb94d4d5520eb4c2/Arena-sketch--2013.jpg" /&#62;
&#60;img width="1599" height="1185" width_o="1599" height_o="1185" data-src="https://freight.cargo.site/t/original/i/eb71a22ab5051fc3df66a1504fb457190a233270c26ff56d4d59d9a37724e387/Dancers01--2017--watercolor-and-ink-on-paper--30--x-25--.jpg" data-mid="57587466" border="0"  src="https://freight.cargo.site/w/1000/i/eb71a22ab5051fc3df66a1504fb457190a233270c26ff56d4d59d9a37724e387/Dancers01--2017--watercolor-and-ink-on-paper--30--x-25--.jpg" /&#62;
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&#60;img width="2400" height="1972" width_o="2400" height_o="1972" data-src="https://freight.cargo.site/t/original/i/42ef57364ee36b7da8bf3fddc25857724012bbe563125916c58adc9ffe6e0d19/Tennis--2013--Acrylic-on-Mylar--48-x-54.jpg" data-mid="57587476" border="0"  src="https://freight.cargo.site/w/1000/i/42ef57364ee36b7da8bf3fddc25857724012bbe563125916c58adc9ffe6e0d19/Tennis--2013--Acrylic-on-Mylar--48-x-54.jpg" /&#62;
&#60;img width="1406" height="1009" width_o="1406" height_o="1009" data-src="https://freight.cargo.site/t/original/i/975f56baf16a313de18de33f58d63c02bad14c94c839dcac0793d4539cbf1ddf/Carousel--2018--watercolor-and-ink-on-paper--42--x-30-.jpg" data-mid="57587465" border="0"  src="https://freight.cargo.site/w/1000/i/975f56baf16a313de18de33f58d63c02bad14c94c839dcac0793d4539cbf1ddf/Carousel--2018--watercolor-and-ink-on-paper--42--x-30-.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Costume Design</title>
				
		<link>https://rarabernstein.com/Costume-Design</link>

		<pubDate>Thu, 02 Jan 2020 19:42:02 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

		<guid isPermaLink="true">https://rarabernstein.com/Costume-Design</guid>

		<description>Costume Design


HORSE PERFORMANCE COMPANY: &#38;nbsp;BADrum
 conceived by Emily Reilly and Stephanie Hayes, Soto Clemente Educational Center, New York, NY, 2015&#38;nbsp;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/49cc87a033970833596edc0ef045580a6169bba55f856c121ceee42af1161646/3bedscene.jpg" data-mid="57585042" border="0"  src="https://freight.cargo.site/w/1000/i/49cc87a033970833596edc0ef045580a6169bba55f856c121ceee42af1161646/3bedscene.jpg" /&#62;
&#60;img width="5616" height="3648" width_o="5616" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2631c03e90e41153bd764afcd99b2a4be188be72f042dac065ebcea426c85673/4trance.jpg" data-mid="57585044" border="0"  src="https://freight.cargo.site/w/1000/i/2631c03e90e41153bd764afcd99b2a4be188be72f042dac065ebcea426c85673/4trance.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/654aa8ec1127a4c7b1e8697dc5d15fced9232033e5598e5cd5a822b8d1cb9080/NurseWidowsex.jpg" data-mid="57585045" border="0"  src="https://freight.cargo.site/w/1000/i/654aa8ec1127a4c7b1e8697dc5d15fced9232033e5598e5cd5a822b8d1cb9080/NurseWidowsex.jpg" /&#62;
&#60;img width="3920" height="3744" width_o="3920" height_o="3744" data-src="https://freight.cargo.site/t/original/i/484302a7bc153efc65fe5ba1c9c833d5f514c3507c5d2d1dee5bbf88f6e71e4e/Peepingtomportrait.jpg" data-mid="57585046" border="0"  src="https://freight.cargo.site/w/1000/i/484302a7bc153efc65fe5ba1c9c833d5f514c3507c5d2d1dee5bbf88f6e71e4e/Peepingtomportrait.jpg" /&#62;
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&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/e08e5a804a3d4e4d52152eb58bdb3b5f4a00312fb2207214f3373229e8c6e55c/sexsingalong.jpg" data-mid="57585049" border="0"  src="https://freight.cargo.site/w/1000/i/e08e5a804a3d4e4d52152eb58bdb3b5f4a00312fb2207214f3373229e8c6e55c/sexsingalong.jpg" /&#62;
&#60;img width="5460" height="3433" width_o="5460" height_o="3433" data-src="https://freight.cargo.site/t/original/i/8ef4b69cd26d38932b9b050333ca089c0b39e8ac6fa8f5b6681851605c4b93dd/4characterdance01.jpg" data-mid="57585043" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8ef4b69cd26d38932b9b050333ca089c0b39e8ac6fa8f5b6681851605c4b93dd/4characterdance01.jpg" /&#62;

	
Caneus, CONCEIVED, WRITTEN, AND DIRECTED BY LILLETH GLIMCHER2016, PACE Gallery, NY, NY


&#60;img width="891" height="594" width_o="891" height_o="594" data-src="https://freight.cargo.site/t/original/i/da50acbf33b7e0ae6e51f5860110bc4dd7f118f7911a1d17c945cc8d80773cf8/Caenis_5.jpg" data-mid="57585050" border="0" data-scale="100" src="https://freight.cargo.site/w/891/i/da50acbf33b7e0ae6e51f5860110bc4dd7f118f7911a1d17c945cc8d80773cf8/Caenis_5.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/02b660ef141e5138236a52e52f2b17575282fa7ba034a41148fe9001c4033032/Caenis_62.jpg" data-mid="57585054" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/02b660ef141e5138236a52e52f2b17575282fa7ba034a41148fe9001c4033032/Caenis_62.jpg" /&#62;
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&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/ad555990cbd037813fce846079376ce1cb9ddd4c21890805a84d6e3bed56f09c/Caenis_72.jpg" data-mid="57585055" border="0"  src="https://freight.cargo.site/w/1000/i/ad555990cbd037813fce846079376ce1cb9ddd4c21890805a84d6e3bed56f09c/Caenis_72.jpg" /&#62;
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&#60;img width="2400" height="3600" width_o="2400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/451caa618e32e3a7bf73bfbd08899e002930a1704ef42f4401b4cc0f169e9b6f/Caenis_13.jpg" data-mid="57585051" border="0"  src="https://freight.cargo.site/w/1000/i/451caa618e32e3a7bf73bfbd08899e002930a1704ef42f4401b4cc0f169e9b6f/Caenis_13.jpg" /&#62;
Featuring Lucy Kaminsky (Caenis), Rebeca Rad, Isabella Sazak, Sohina Sidhu, Krystel Mazzeo, Sara Ciampa, Ashton Muniz (Latreus), Itamar Segev, Neil Redfield, Jae Woo, Ethan Hardy / Choreographed by Amanda Hameline / Dramaturgy by Emily Reilly / Sound Art by Alice Emily Baird / Costume Art by Laura Berntein / Set + Light Design by Jonathan Cottle / Properties + Masks Designed by Hye Young Chyun / Stage Manager + Assistant Directed by Alex Tobey / Executive Producer: Madeleine F. Bersin / Associate Producers: Eleanor Reagan, James Danner, David Manella / Production Manager: Chris BatstonePhoto credit: Hunter Canning

	
HORSE PERFORMANCE COMPANY: VASKA / Ulli  Dir.: Michael McQuilken Amsterdam International Theater Festival 2018, 
Produced by Horse and A.Z. Kelsey


&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/0b56c71faf041a07c3512c2adf2c0ae22a6725f6960670e6c09b8aa194ae95a9/02.Rara_FamilyPortraitClose.web.jpg" data-mid="57585062" border="0"  src="https://freight.cargo.site/w/1000/i/0b56c71faf041a07c3512c2adf2c0ae22a6725f6960670e6c09b8aa194ae95a9/02.Rara_FamilyPortraitClose.web.jpg" /&#62;
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&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/e5e3a879dd8468f5fb03e10e16187962e58146128a96f2db94990dd5ae64a46e/11.-Rara_Horace-ulli-hedda.web.jpg" data-mid="57585070" border="0"  src="https://freight.cargo.site/w/1000/i/e5e3a879dd8468f5fb03e10e16187962e58146128a96f2db94990dd5ae64a46e/11.-Rara_Horace-ulli-hedda.web.jpg" /&#62;
&#60;img width="1685" height="1061" width_o="1685" height_o="1061" data-src="https://freight.cargo.site/t/original/i/9a168dd8a7db4cf81ddc8c39e214ad2909e1a4d15db8da0c36c894643bef31ed/12.Rara_HoraceTeeth.web.jpg" data-mid="57585071" border="0" alt="Photo credit : Hunter Canning " data-caption="Photo credit : Hunter Canning " src="https://freight.cargo.site/w/1000/i/9a168dd8a7db4cf81ddc8c39e214ad2909e1a4d15db8da0c36c894643bef31ed/12.Rara_HoraceTeeth.web.jpg" /&#62;
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&#60;img width="1685" height="955" width_o="1685" height_o="955" data-src="https://freight.cargo.site/t/original/i/a6bc84224bd31412f0f5caf16a56f37d76e5d6ee813fac75599e74d27d79cebe/18_Rara_NotKnowOne.web.jpg" data-mid="57585078" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/a6bc84224bd31412f0f5caf16a56f37d76e5d6ee813fac75599e74d27d79cebe/18_Rara_NotKnowOne.web.jpg" /&#62;
&#60;img width="1421" height="874" width_o="1421" height_o="874" data-src="https://freight.cargo.site/t/original/i/00039534f919bf5c7996fec2b42a41f845e357650d6c37e4dde3d57224a64a64/19.Rara_FISKA-Mono.web.jpg" data-mid="57585079" border="0"  src="https://freight.cargo.site/w/1000/i/00039534f919bf5c7996fec2b42a41f845e357650d6c37e4dde3d57224a64a64/19.Rara_FISKA-Mono.web.jpg" /&#62;
&#60;img width="1685" height="979" width_o="1685" height_o="979" data-src="https://freight.cargo.site/t/original/i/18db26c1d85d6e07c47e47f19d3314ebebdb21cfe37bf73c546998dae8e27e52/20.Rara_FISKA-mono02.web.jpg" data-mid="57585080" border="0"  src="https://freight.cargo.site/w/1000/i/18db26c1d85d6e07c47e47f19d3314ebebdb21cfe37bf73c546998dae8e27e52/20.Rara_FISKA-mono02.web.jpg" /&#62;
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&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/ddb8a9b907edf39f4b4599943a7b6e3f42592a7f7e4c0d642a71d13a266cbf77/22.Rara_SET.web.jpg" data-mid="57585082" border="0"  src="https://freight.cargo.site/w/1000/i/ddb8a9b907edf39f4b4599943a7b6e3f42592a7f7e4c0d642a71d13a266cbf77/22.Rara_SET.web.jpg" /&#62;
&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/5b1a6d20b80b2cc4c8d53afa2f7a4c095df3ae2428e3338045a62f4cd7b078b9/23.Rara_Perdu-SET.web.jpg" data-mid="57585083" border="0"  src="https://freight.cargo.site/w/1000/i/5b1a6d20b80b2cc4c8d53afa2f7a4c095df3ae2428e3338045a62f4cd7b078b9/23.Rara_Perdu-SET.web.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Commissions</title>
				
		<link>https://rarabernstein.com/Commissions</link>

		<pubDate>Thu, 02 Jan 2020 19:41:53 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

		<guid isPermaLink="true">https://rarabernstein.com/Commissions</guid>

		<description>Commissions

To discuss commissions or to purchase an existing work, contact laurarbernstein@gmail.com.


&#60;img width="3945" height="2959" width_o="3945" height_o="2959" data-src="https://freight.cargo.site/t/original/i/b8cf9731f5b9448e2e3eabab4bc1d740f5ac65426e03382913033c85fd79adfa/Glen-s-Mural.jpg" data-mid="159032849" border="0" alt="Glen's Garden Market, 2020, Acrylic on Canvas, 15 ft x 4.5 ft, Dupont Circle, Washington DC. " data-caption="Glen's Garden Market, 2020, Acrylic on Canvas, 15 ft x 4.5 ft, Dupont Circle, Washington DC. " src="https://freight.cargo.site/w/1000/i/b8cf9731f5b9448e2e3eabab4bc1d740f5ac65426e03382913033c85fd79adfa/Glen-s-Mural.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/764eecac0e23342d2a0bd32634fa6ab5b6d16de56346c480f71e1ecbd72afa69/Glens-mural-Side-angle-9.25.20-.jpg" data-mid="159032852" border="0"  src="https://freight.cargo.site/w/1000/i/764eecac0e23342d2a0bd32634fa6ab5b6d16de56346c480f71e1ecbd72afa69/Glens-mural-Side-angle-9.25.20-.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/875947998d334d6cc732b6b79b1421e7ee722a08cad86e655d0b7715bd72ccdc/IMG_1492.jpeg" data-mid="99240841" border="0"  src="https://freight.cargo.site/w/1000/i/875947998d334d6cc732b6b79b1421e7ee722a08cad86e655d0b7715bd72ccdc/IMG_1492.jpeg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5d71252b707591c130eac8f9479e70e69d87e541ebe81d0a0270de34ee387e85/IMG_1495.jpeg" data-mid="99240838" border="0"  src="https://freight.cargo.site/w/1000/i/5d71252b707591c130eac8f9479e70e69d87e541ebe81d0a0270de34ee387e85/IMG_1495.jpeg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a87b4cfd38039eeb9cedcbe5edd8a64ff5f64d1a0cdfb635fb2cb524f4ad86a5/IMG_1493.jpeg" data-mid="99240884" border="0"  src="https://freight.cargo.site/w/1000/i/a87b4cfd38039eeb9cedcbe5edd8a64ff5f64d1a0cdfb635fb2cb524f4ad86a5/IMG_1493.jpeg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/f91e99e38279aea2abd90c2a5bfa49a13fad1f455a921527ef5c61d6eb743a19/IMG_1496.jpeg" data-mid="99240959" border="0"  src="https://freight.cargo.site/w/1000/i/f91e99e38279aea2abd90c2a5bfa49a13fad1f455a921527ef5c61d6eb743a19/IMG_1496.jpeg" /&#62;
&#60;img width="5616" height="3013" width_o="5616" height_o="3013" data-src="https://freight.cargo.site/t/original/i/1d929d31ad500d55b737b197fa3d928a368b38d426a00f4025169cf238464909/Glens-full-with-person-9.25.20.jpg" data-mid="159032851" border="0"  src="https://freight.cargo.site/w/1000/i/1d929d31ad500d55b737b197fa3d928a368b38d426a00f4025169cf238464909/Glens-full-with-person-9.25.20.jpg" /&#62;


&#60;img width="5210" height="3686" width_o="5210" height_o="3686" data-src="https://freight.cargo.site/t/original/i/f4ad55099a1174e646e1e58401d6726cf7307802fadf83bc8bfc5db4d032365c/BathroomParade.jpg" data-mid="99319132" border="0" alt="Site specific bathroom installation, Acrylic, 6 ft wide x 9 ft tall x 4ft   Arabi, New Orleans " data-caption="Site specific bathroom installation, Acrylic, 6 ft wide x 9 ft tall x 4ft   Arabi, New Orleans " src="https://freight.cargo.site/w/1000/i/f4ad55099a1174e646e1e58401d6726cf7307802fadf83bc8bfc5db4d032365c/BathroomParade.jpg" /&#62;
&#60;img width="5384" height="3590" width_o="5384" height_o="3590" data-src="https://freight.cargo.site/t/original/i/3b871c748a959aa1726a3703e8ad5bd5f7fd732b90ddb9140a1b1651d696274b/Bathroom-Parade-crock.jpg" data-mid="99319177" border="0"  src="https://freight.cargo.site/w/1000/i/3b871c748a959aa1726a3703e8ad5bd5f7fd732b90ddb9140a1b1651d696274b/Bathroom-Parade-crock.jpg" /&#62;
&#60;img width="5463" height="3642" width_o="5463" height_o="3642" data-src="https://freight.cargo.site/t/original/i/aa6a64218e32c63af0f3e1430a0824bb1f4fa42209c5d6599bcf4e976cf58669/Bathroom-Parade-witch-tree.jpg" data-mid="99319232" border="0"  src="https://freight.cargo.site/w/1000/i/aa6a64218e32c63af0f3e1430a0824bb1f4fa42209c5d6599bcf4e976cf58669/Bathroom-Parade-witch-tree.jpg" /&#62;


&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8b1582b4a12615b750dd25c84d64010993d413481bd5a8c1a2ea1c15f234334c/Win-Son-mural--2016--4.5-ft-x-15.5-ft.-Acrylic-on-Mylar.jpg" data-mid="58927157" border="0" alt="Under The Table, 2016, Acrylic on Mylar, 4.5 x 15.5 feet. Win Son, 159 Graham ave, Brooklyn, NY   " data-caption="Under The Table, 2016, Acrylic on Mylar, 4.5 x 15.5 feet. Win Son, 159 Graham ave, Brooklyn, NY   " src="https://freight.cargo.site/w/1000/i/8b1582b4a12615b750dd25c84d64010993d413481bd5a8c1a2ea1c15f234334c/Win-Son-mural--2016--4.5-ft-x-15.5-ft.-Acrylic-on-Mylar.jpg" /&#62;
&#60;img width="1800" height="1227" width_o="1800" height_o="1227" data-src="https://freight.cargo.site/t/original/i/30a7df22ac9eed9948532e37ef9177d71e73c7bc4ed5560bc2af6fe0e7318347/Win-Son-detail.jpg" data-mid="58927156" border="0"  src="https://freight.cargo.site/w/1000/i/30a7df22ac9eed9948532e37ef9177d71e73c7bc4ed5560bc2af6fe0e7318347/Win-Son-detail.jpg" /&#62;


&#60;img width="1445" height="939" width_o="1445" height_o="939" data-src="https://freight.cargo.site/t/original/i/0dfc66695e4460fb2e7e5e70ce4c6a5e302cfb66c8d340cccdcaa1e437f17a94/Under-The-Table-MV--2016--4.5-ft-x-5.5-ft--Acylic-on-Mylar-.jpg" data-mid="58927154" border="0" alt="Under The Table, 2016, Acrylic on Mylar, 4.5' x 5.5'" data-caption="Under The Table, 2016, Acrylic on Mylar, 4.5' x 5.5'" src="https://freight.cargo.site/w/1000/i/0dfc66695e4460fb2e7e5e70ce4c6a5e302cfb66c8d340cccdcaa1e437f17a94/Under-The-Table-MV--2016--4.5-ft-x-5.5-ft--Acylic-on-Mylar-.jpg" /&#62;


&#60;img width="3555" height="5333" width_o="3555" height_o="5333" data-src="https://freight.cargo.site/t/original/i/30dc584080889e41a71c945cbbff21432cf3e0a85ba0e51a4735f27654438546/13boots.jpg" data-mid="58927142" border="0" alt="2015   Walk Around The Wall, permanent installation, National Dance Institute, New York, NY Papier-mache, sculpey, cardboard, acrylic" data-caption="2015   Walk Around The Wall, permanent installation, National Dance Institute, New York, NY Papier-mache, sculpey, cardboard, acrylic" src="https://freight.cargo.site/w/1000/i/30dc584080889e41a71c945cbbff21432cf3e0a85ba0e51a4735f27654438546/13boots.jpg" /&#62;
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&#60;img width="1606" height="1070" width_o="1606" height_o="1070" data-src="https://freight.cargo.site/t/original/i/7e75e9de2f45cb45e8ba9880a63dbc496bc19c0154ffbeaf2df0412ad641922c/Swimmers--2012--12-ft-x-12ft.-Acrylic-on-wall.jpg" data-mid="58927153" border="0" alt="Swim Faster, 2013, 5&#38;rsquo; x 5&#38;rsquo;, Acrylic " data-caption="Swim Faster, 2013, 5’ x 5’, Acrylic " src="https://freight.cargo.site/w/1000/i/7e75e9de2f45cb45e8ba9880a63dbc496bc19c0154ffbeaf2df0412ad641922c/Swimmers--2012--12-ft-x-12ft.-Acrylic-on-wall.jpg" /&#62;


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		<title>cv</title>
				
		<link>https://rarabernstein.com/cv</link>

		<pubDate>Sun, 26 Jan 2020 19:39:22 +0000</pubDate>

		<dc:creator>Laura R. Bernstein and ISSRE</dc:creator>

		<guid isPermaLink="true">https://rarabernstein.com/cv</guid>

		<description>Laura R. Bernstein

laurarbernstein@gmail.com
Education
2014 &#38;nbsp; &#38;nbsp; MFA, Interdisciplinary Arts, University of Pennsylvania, Philadelphia, PA
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Certificate in Time-Based &#38;amp; Interactive Media
2010 &#38;nbsp; &#38;nbsp; BFA, Sculpture, Rhode Island School of Design, Providence, RI 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Senior Excellence Award in Sculpture
2008 &#38;nbsp; &#38;nbsp; RISD European Honors Program, Rome, Italy.
2007—10Additional studies at Brown University, Providence, RI 
Solo Exhibitions
2019&#38;nbsp; Illuminator, Y2K group at 5A, Brooklyn, NY, October 4th--December 1 &#38;nbsp;
2019&#38;nbsp; Hybrid Ecologies, Children's Museum of&#38;nbsp; the Arts, The Bridge Project Space, New York, New York &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;May 16th--September 3, 2019
2018&#38;nbsp; Bestial Field Recordings 2015—2018, The Lighthouse Works, Legacy Exhibition Series, &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Fishers Island, NY, May 19th--June 23rd.
2018&#38;nbsp; Becoming Beast, NurtureArt, Brooklyn, NY, April 13th--May 6th
Two Person Exhibitions
2017&#38;nbsp; Past Myth, Future Form, ART LOT, outdoor sculpture show with Anna Tsouhlarakis, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Curated by Aimee Burg and Natalia Zubko, Brooklyn, NY 
2017 &#38;nbsp;The barometric pressure is all over the place, with Daniele Glendening. Anytime Dept. curated by Lydia 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Rosenberg and Rebecca Steele, Cincinnati, OH 
Group Exhibitions
2019 &#38;nbsp; BRIC Biennial Volume III: South Brooklyn Edition, The Impossible Possible, curated by Elizabeth Ferrer and 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Jenny Gerow, BRIC House, Brooklyn, NY 
2019 &#38;nbsp; Mushrooms, organized by Y2K group, April 4-27th,&#38;nbsp; New York,&#38;nbsp; NY
2018 &#38;nbsp; Plus 1, Anytime Dept. Cincinatti OH 
2018 &#38;nbsp; seafood stew, Pop Up Exhibition, Y2K, Brooklyn, NY
2017 &#38;nbsp; Apparatus, NAPOLEON at Nova Artspace, curated by Ava Hassinger, Philadelphia, PA
2017 &#38;nbsp; Word to the Wise, ACRE projects Space, curated by Ann Meisinger, Chicago, IL 
2017 &#38;nbsp; Bronx Calling: The Fourth AIM Biennial,&#38;nbsp; curated by&#38;nbsp; Christine Licata, Aylet Ojeda Jequin, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;and Heather Reyes, Bronx Museum of Art, Bronx, NY 
2017 &#38;nbsp; Material Mythos, Geary Contemporary, NY, NY 
2016 &#38;nbsp; Galactic Whispers, a collaboration between Laura Bernstein, Daniel O’Neill, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Jimi Pantalon, Humanities Gallery, Long Island University, Brooklyn, NY 
2014 &#38;nbsp; Elsewhere Museum Retrospective, Greensboro, NC 
2014 &#38;nbsp; Supermacho, Curated by Christina Tufino, The Active Space, Brooklyn, NY 
2014 &#38;nbsp; Between a rock and a hard place, Curated by Kelsey Halliday Johnson, Vox Populi, Philadelphia, PA 
2014 &#38;nbsp; Begin Where You Are, Icebox Project Space, Philadelphia, PA
2014 &#38;nbsp; An Ocean Between Waves, MFA Thesis Exhibition, FRANZ JOSEFS KAI 3, Vienna, Austria
Video Screenings 
2019 &#38;nbsp; Limb from Limb, LIGHTYEAR 56,&#38;nbsp; curated by Kate Gavriel, Brooklyn, NY (Dec. 5th)
2019&#38;nbsp; &#38;nbsp;Video Screening:Laura Bernstein, Claire Bidwell, Claudia Bitran and Cate Giordano, Fjord, Philadelphia, PA
2018 &#38;nbsp; 24:7 ZAZ10TS Dwek Gallery at Mishkenot Shaananim, Jerusalem, Israel 
2017 &#38;nbsp; 24:7, ZAZ 10TS, produced by Tzili Charney, video art takeover of billboard on 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;41st and Broadway, Times Square, NY
2017 &#38;nbsp; No Horizon, Video Screening, Robert H. Goddard Planetarium in Roswell, NM &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; and Planetario de la Universidad de Santiago de Chile
2015 &#38;nbsp; Should Rock, The Boiler, film club screening, Brookyln, NY&#38;nbsp; 
Performance, Lectures, Events 
2019 &#38;nbsp; ISSRE performance Lecture and Artist Talk, RISD, EHP, Rome, Italy (Sept. 16th) 
2019 &#38;nbsp; A Speculative Performance Presented by The Institute of Super-Species Research and Experimentation, with 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;contributing artists/performers: Nikki Calonge, Simone Kearney, Hanna Novak, Emily Reilly, Paola Di Tolla, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Emily Taibleson. With support from Franklin Furnace Fund, presented in conjunction with BRIC Biennial 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Volume III: Soutth Brooklyn Edition, The Impossible Possible, curated by Elizabeth Ferrer and Jenny Gerow, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;BRIC House,&#38;nbsp; March 27th, Brooklyn, NY 
2018 &#38;nbsp; The Institute of Super-Species Research and Experimentation (ISSRE) A Speculative Lecture performed by 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Nikki Calonge and Emily Reilly, hosted by Y2K group, Brooklyn, NY
2018 &#38;nbsp; Becoming Beast, A Speculative Lecture, performed by Emily Reilly, NURTUREart, Brooklyn, NY
2017 &#38;nbsp; Visiting Artist performance lecture, University of Cincinnati, Collage of DAP, OH
2017&#38;nbsp; &#38;nbsp; CLINIC feedback series at Hercules, Directed and moderated by Sophie Grant, NY, NY (August 23rd) 
2015&#38;nbsp; &#38;nbsp; Pedestal, invited response to Tamar Ettun, Alula in Blue, Fridman Gallery, New York,&#38;nbsp; NY &#38;nbsp; 
2015&#38;nbsp; &#38;nbsp; Bootleg, Guerrilla Outdoor Performance Festival, Spring Break Edition, &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Underground Pedestrian Concourse, Center City, Philadelphia, PA&#38;nbsp; 
2014&#38;nbsp; &#38;nbsp; Sciapode, performed in conjunction with Begin Where You Are, Icebox Project 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Space, Philadelphia, PA
2014&#38;nbsp; &#38;nbsp; Finding The Fall, public performance, Vienna, Austria 
Awards, Grants, and Residencies 
2018 &#38;nbsp; &#38;nbsp; Franklin Furnace Fund, Performance Grant, New York, NY, 2018-19
2017 &#38;nbsp; &#38;nbsp; Sharpe-Walentas Studio Program, Brooklyn, NY Sept 12--August 20, 2018
2017 &#38;nbsp; &#38;nbsp; Artist In The Market Place, (AIM) Bronx Museum of Art, Bronx, NY
2016 &#38;nbsp; &#38;nbsp; The Lighthouse Works’ Fellowship, Fishers Island, NY, July-August
2015 &#38;nbsp; &#38;nbsp; ACRE Residency, Steuben, WI –July 
2014 &#38;nbsp; &#38;nbsp; Toby Devan Lewis Fellowship, The Toby Fund and University of Pennsylvania
2014 &#38;nbsp; &#38;nbsp; ISC Award, Outstanding Student Achievement in Contemporary Sculpture 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Honorable Mention 
2013 &#38;nbsp; &#38;nbsp; Vermont Studio Center and The University of Pennsylvania, Fellowship, Aug. Residency 
2013 &#38;nbsp; &#38;nbsp; The Fabric Workshop and Museum, College and Post Graduate Apprentice 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Training Program, Philadelphia PA, May—July
2013 &#38;nbsp; &#38;nbsp; The Lawrence Shprintz MFA Award, University of Pennsylvania
2009 &#38;nbsp; &#38;nbsp; Dorothy Mellor Scholarship, Rhode Island School of Design, Providence, RI
Publications and Recent Press 
2018 &#38;nbsp;What to see in New York Art Galleries This Week, Jillian Steinhauer,&#38;nbsp; May 10th, The New York Times,&#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Art and Design, online and in print, New York, NY

&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; https://www.nytimes.com/2018/05/10/arts/design/what-to-see-in-new-york-art-galleries-this-week.html
2018&#38;nbsp; Wandering the Artists Studios of Dumbo, Steph Rodney, May 5th, Hyperallergic Magazine, online publication 

&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; https://hyperallergic.com/440806/dumbo-open-studios-2018/ 
2018&#38;nbsp; Humor and the Abject Blog, Podcast recording and Studio Visit write up with Sean Patrick J. Carney, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Brooklyn, NY, https://www.humorandtheabject.com/blog/2018/6/10/studio-visit-laura-bernstein
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Studio visit with Sean J Patrick Carney 

&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; https://www.humorandtheabject.com/blog/2018/6/10/studio-visit-laura-bernstein
2018&#38;nbsp; The Saint Ann's Review, Volume 18, No. 2 Spring Issue
2018 &#38;nbsp; Ginger Zine, Issue # 11, Winter
2017 &#38;nbsp; Bronx Calling, The Fourth AIM Biennia, Christine Licata, Aylet Ojeda Jequin, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;and Heather Reyes, the Bronx Museum, Bronx, NY 2017 
2017 &#38;nbsp; Binder #2, curated by Emily Ludwig Shaffer as part of the Jewish Museum’s program In Response: The &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Arcades, Contemporary Art and Walter Benjamin, Sunday, May 7th, 2017 New York, NY
2016 &#38;nbsp; Field Projects, Online Exhibition coinciding with Show #35, curated by Paulina 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Bebecka and Field Projects, November 3rd, 2016
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Field Projects Gallery Blog, April 22, 2016
2016&#38;nbsp; The Village Voice, restaurants, A Bold Take on Taiwanese Street Food in East Williamsburg, by Zachary Feldman, Wednesday, September 28th, 2016, Online and in print, New York, NY
2013 &#38;nbsp; Documentation, Networks, and Digital Media, Interventions Journal, Vol. 3, Issue 1, online, New York, NY
Costume Design/Sculpture 
2018&#38;nbsp; &#38;nbsp; VASKA, production designer, Directed by Michael McQuilken, created and performed by Emily Reilly and 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Stephanie Hayes of HORSE, produced by A.Z. Kelsey, Amsterdam Fringe Festival, Amsterdam 
2016&#38;nbsp; &#38;nbsp; CAENIS, costume design and sculpture, Directed by Lilleth Glimcher, PACE Gallery, NY, NY
2015&#38;nbsp; &#38;nbsp; BADrum, costume design, performance piece conceived by Emily Reilly and 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Stephanie Hayes, Soto Clemente Educational Center, New York, NY 
Public Collections
2017 &#38;nbsp; Sport Patterns, on display at Chelsea Piers Sports Center, New York, NY 
2015 &#38;nbsp; Walk Around The Wall, permanent installation, National Dance Institute, New York, NY
2014 &#38;nbsp; Accordion Suits For Commutes, Elsewhere Museum, Greensboro, NC
2013 &#38;nbsp; Watch-Coat, on display through 2018 at The Annenberg School of Communications, 
&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;University of Pennsylvania, Philadelphia, PA
2013 &#38;nbsp; For a Dandy, permanent installation, National Dance Institute, New York, NY
2011 &#38;nbsp; Kick, permanent installation, National Dance Institute, New York, NY
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